Lynda - Photoshop Channels and Masks

1. 1.Introduction/01.Welcome to Channels and Masks.mp499.09MB
2. 1.Introduction/02.Loading Deke's custom dekeKeys shortcuts.mp413.22MB
3. 1.Introduction/03.Adjusting the RGB and CMYK color settings.mp414.98MB
4. 1.Introduction/04.Setting up a pro-level workspace.mp416.56MB
5. 1.Introduction/05.Thumbnails and transparency.mp414.03MB
6. 10.Conclusion/91.Wrapping it all up.mp425.78MB
7. 2.1. How Channels Work/06.It all starts with a channel.mp420.49MB
8. 2.1. How Channels Work/07.Introducing the Channels panel.mp410.04MB
9. 2.1. How Channels Work/08.How color channels work.mp415.95MB
10. 2.1. How Channels Work/09.Viewing channels in color.mp411.49MB
11. 2.1. How Channels Work/10.How RGB works.mp410.78MB
12. 2.1. How Channels Work/11.Single-channel grayscale.mp417.96MB
13. 2.1. How Channels Work/12.Drafting a mask with Black & White.mp417.79MB
14. 2.1. How Channels Work/13.The other 3-channel mode - Lab.mp417.36MB
15. 2.1. How Channels Work/14.The final color mode - CMYK.mp425.26MB
16. 2.1. How Channels Work/15.How CMYK works.mp415.67MB
17. 2.1. How Channels Work/16.Mask in RGB, copy to CMYK.mp426.31MB
18. 3.2. How Masks Works/17.The alpha channel is home to the mask.mp412.6MB
19. 3.2. How Masks Works/18.The origin of the alpha channel.mp49.89MB
20. 3.2. How Masks Works/19.How masks work.mp423.34MB
21. 3.2. How Masks Works/20.Saving a selection as a layer mask.mp421.07MB
22. 3.2. How Masks Works/21.Creating an alpha channel.mp419.96MB
23. 3.2. How Masks Works/22.The Save Selection as Channel icon.mp426.45MB
24. 3.2. How Masks Works/23.Loading a selection from a channel.mp423.16MB
25. 3.2. How Masks Works/24.Loading a selection from a layer.mp416.46MB
26. 3.2. How Masks Works/25.Loading a selection from a different image.mp423.48MB
27. 3.2. How Masks Works/26.Sweetening the final composition.mp415.84MB
28. 4.3. The Color Range Command/27.The best selection tools are commands.mp416.71MB
29. 4.3. The Color Range Command/28.A brief Magic Wand refresher.mp49.39MB
30. 4.3. The Color Range Command/29.Introducing the Color Range command.mp48.29MB
31. 4.3. The Color Range Command/30.Working in the Color Range dialog box.mp49.36MB
32. 4.3. The Color Range Command/31.Localized color clusters.mp414.79MB
33. 4.3. The Color Range Command/32.Selecting complex organic details.mp422MB
34. 4.3. The Color Range Command/33.Using Color Range to augment a mask.mp420.66MB
35. 4.3. The Color Range Command/34.Finessing and feathering a layer mask.mp425.5MB
36. 4.3. The Color Range Command/35.Creating a zoom effect with Pinch.mp428.53MB
37. 4.3. The Color Range Command/36.Isolating Color Range inside a marquee.mp422.49MB
38. 4.3. The Color Range Command/37.Inverting everything with type.mp423.92MB
39. 4.3. The Color Range Command/38.Increasing the legibility of type.mp413.17MB
40. 5.4. Select _ Subject/39.Just choose a command and let it run.mp415.23MB
41. 5.4. Select _ Subject/40.Introducing Select _ Subject.mp413.48MB
42. 5.4. Select _ Subject/41.Select _ Subject vs. Color Range.mp49.56MB
43. 5.4. Select _ Subject/42.Combining selections.mp422.57MB
44. 5.4. Select _ Subject/43.Softening edges with the Blur tool.mp420.7MB
45. 5.4. Select _ Subject/44.Smoothing edges with the Smudge tool.mp419.82MB
46. 5.4. Select _ Subject/45.Adding depth of field to a background.mp421.2MB
47. 6.5. The Focus Area Command/46.The Hail Mary of automated selections.mp412.33MB
48. 6.5. The Focus Area Command/47.Edges vs. noise.mp412.87MB
49. 6.5. The Focus Area Command/48.A brief Quick Selection refresher.mp417.79MB
50. 6.5. The Focus Area Command/49.Expanding a selection with Select _ Similar.mp421.97MB
51. 6.5. The Focus Area Command/50.Introducing the Focus Area command.mp418.94MB
52. 6.5. The Focus Area Command/51.Using the Focus Area brush.mp415.68MB
53. 6.5. The Focus Area Command/52.Focus Area vs. Select _ Subject.mp420.33MB
54. 6.5. The Focus Area Command/53.Bringing in some better hair.mp415.37MB
55. 6.5. The Focus Area Command/54.Viewing mask and image at the same time.mp423.54MB
56. 6.5. The Focus Area Command/55.Non-destructive feather and density.mp414.73MB
57. 6.5. The Focus Area Command/56.Masking a gradient layer.mp414.65MB
58. 7.6. Refining Selections and Masks/57.The joy of automated refinement.mp419.52MB
59. 7.6. Refining Selections and Masks/58.Introducing Select and Mask.mp431.13MB
60. 7.6. Refining Selections and Masks/59.Applying global refinements.mp414.41MB
61. 7.6. Refining Selections and Masks/60.Edge Detection - Radius and Smart Radius.mp412.3MB
62. 7.6. Refining Selections and Masks/61.Painting with the Refine Edge brush.mp415.23MB
63. 7.6. Refining Selections and Masks/62.Decontaminating colors.mp428.44MB
64. 7.6. Refining Selections and Masks/63.Selecting before you refine.mp416.85MB
65. 7.6. Refining Selections and Masks/64.The legacy Refine Edge command.mp416.28MB
66. 7.6. Refining Selections and Masks/65.Further refining with Refine Mask.mp420.82MB
67. 7.6. Refining Selections and Masks/66.Matching the lighting of your scene.mp411.38MB
68. 8.7. Extracting Masks from Channels/67.Mastering channel operations.mp421.42MB
69. 8.7. Extracting Masks from Channels/68.Introducing the Calculations command.mp45.48MB
70. 8.7. Extracting Masks from Channels/69.Previewing channels with Calculations.mp412.38MB
71. 8.7. Extracting Masks from Channels/70.Blending two channels together.mp414.21MB
72. 8.7. Extracting Masks from Channels/71.Increasing the contrast of a channel.mp421.67MB
73. 8.7. Extracting Masks from Channels/72.Filling in regions with the Brush tool.mp425.67MB
74. 8.7. Extracting Masks from Channels/73.Using the Add and Subtract modes.mp416.66MB
75. 8.7. Extracting Masks from Channels/74.The Black and White Point eyedroppers.mp47.34MB
76. 8.7. Extracting Masks from Channels/75.Soft Light, Overlay, and Hard Mix.mp47.41MB
77. 8.7. Extracting Masks from Channels/76.Painting with the Overlay mode.mp415.36MB
78. 8.7. Extracting Masks from Channels/77.Combining alpha channels to make a mask.mp414.42MB
79. 9.8. Compositing - Putting It All Together/78.The power of compositing.mp418.2MB
80. 9.8. Compositing - Putting It All Together/79.Smooth edges and color fringing.mp416.46MB
81. 9.8. Compositing - Putting It All Together/80.Assigning a shortcut to Refine Edge.mp48.86MB
82. 9.8. Compositing - Putting It All Together/81.Correcting wispy edges with Refine Mask.mp412.67MB
83. 9.8. Compositing - Putting It All Together/82.Bolstering hair or fur with a blended layer.mp417.47MB
84. 9.8. Compositing - Putting It All Together/83.Combining your refined layer masks.mp415.67MB
85. 9.8. Compositing - Putting It All Together/84.Dressing up a bad background.mp415.41MB
86. 9.8. Compositing - Putting It All Together/85.Masking a background image.mp415.36MB
87. 9.8. Compositing - Putting It All Together/86.From alpha channel to filter mask.mp48.98MB
88. 9.8. Compositing - Putting It All Together/87.Darkening a sky with Gradient Overlay.mp48.46MB
89. 9.8. Compositing - Putting It All Together/88.Creating a synthetic snow effect.mp413.79MB
90. 9.8. Compositing - Putting It All Together/89.Enhancing your snowflakes.mp416.73MB
91. 9.8. Compositing - Putting It All Together/90.Adding a snowflake bokeh on the lens.mp412.25MB